Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck made "Ino, TWV 20:41: Ino, TWV 20:41: No. 1, Recitativo "Wohin, wo soll ich hin"" available on March 8, 2024. With Ino, TWV 20:41: Ino, TWV 20:41: No. 1, Recitativo "Wohin, wo soll ich hin" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Georg Philipp Telemann, Christina Landshamer, Akademie für Alte Musik Berlin, Bernhard Forck's "Ino & Late Works" album is number 8 out of 31. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Ino, TWV 20:41: Ino, TWV 20:41: No. 1, Recitativo "Wohin, wo soll ich hin" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ino, TWV 20:41: Ino, TWV 20:41: No. 1, Recitativo "Wohin, wo soll ich hin" by Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Phaéton Opera in 5 acts with prologue: Chaconne in G | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM |
Section: 0.6032698154449463
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