Dmitri Shostakovich, Donald Hunsberger, Cobb Wind Symphony, Alfred L. Watkins made "Moskva, Cheryomushki (Moscow, Cheryomushki), Op. 105: Galop (arr. D. Hunsberger)" available on May 2, 2012. The duration of Moskva, Cheryomushki (Moscow, Cheryomushki), Op. 105: Galop (arr. D. Hunsberger) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Moskva, Cheryomushki (Moscow, Cheryomushki), Op. 105: Galop (arr. D. Hunsberger)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2011 Midwest Clinic: Cobb Wind Symphony, so we believe that "Moskva, Cheryomushki (Moscow, Cheryomushki), Op. 105: Galop (arr. D. Hunsberger)" is a single. The popularity of Moskva, Cheryomushki (Moscow, Cheryomushki), Op. 105: Galop (arr. D. Hunsberger) is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Moskva, Cheryomushki (Moscow, Cheryomushki), Op. 105: Galop (arr. D. Hunsberger) by Dmitri Shostakovich, Donald Hunsberger, Cobb Wind Symphony, Alfred L. Watkins is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): II. Moderato con moto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 125 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM |
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