Johann Joseph Vilsmayr, Isabelle Faust made "Partita for Solo Violin No. 5 in G Minor: VI. Menuett" available on October 20, 2023. With Partita for Solo Violin No. 5 in G Minor: VI. Menuett being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. Partita for Solo Violin No. 5 in G Minor: VI. Menuett is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Partita for Solo Violin No. 5 in G Minor: VI. Menuett by Johann Joseph Vilsmayr, Isabelle Faust having a BPM of 48 with a half-time of 24 BPM and a double-time of 96 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Partita No. 5 in G Minor for solo violin from "Artificious Concentus pro Camera": VII. Bourre | Johann Joseph Vilsmayr, Thibault Noally | F♯ Minor | 2 | 11A | 75 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
7 Canciones espanolas (arr. for cello and guitar): Malaguena | Anonymous, Federico Moreno Torroba, Michael Kevin Jones, Agustín Maruri | D Major | 0 | 10B | 111 BPM | ||
Fantasia No. 1 for Solo Violin in B-Flat Major, TWV 40:14: III. Grave – | Georg Philipp Telemann, Alina Ibragimova | A Minor | 2 | 8A | 160 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: III. Allegro poco | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Kinderszenen, Op. 15: No. 7. Träumerei | Robert Schumann, Fenella Humphreys | D Major | 0 | 10B | 139 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM |
Section: 0.581547737121582
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