Ernst Gottlieb Baron, Alberto Crugnola's 'Lute Sonata in E-Flat Major: VII. Vivace e Piano' came out on March 6, 2012. With Lute Sonata in E-Flat Major: VII. Vivace e Piano being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 8 out of 95. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Lute Sonata in E-Flat Major: VII. Vivace e Piano's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lute Sonata in E-Flat Major: VII. Vivace e Piano by Ernst Gottlieb Baron, Alberto Crugnola to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Les Saisons amsusantes, Op. 8: Concerto No. 1, "Le Printemps": I. Allegro | Nicolas Chédeville, Dorothee Oberlinger | B Major | 2 | 1B | 112 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Sonatae unarum fidium: III. Gigue | Johann Heinrich Schmelzer, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani | A♭ Major | 4 | 4B | 123 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Sonata for Lute and Flute in G Major: III. March | Ernst Gottlieb Baron, Bernhard Hofstötter, Boshena Korchynska | F♯ Major | 2 | 2B | 199 BPM | ||
Duetto in G Major (Arr. for Lute & Mandolin): I. Allegro | Ernst Gottlieb Baron, John Schneiderman, Hideki Yamaya | B Minor | 2 | 10A | 132 BPM | ||
Suite in G Minor, BWV 995: V. Gavotte I - Gavotte II en Rondeaux | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM |
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