"Salve Regina, antienne à la Sainte Vierge, C. 114: V. O clemens, o pia" by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud was released on October 21, 2016. The duration of Salve Regina, antienne à la Sainte Vierge, C. 114: V. O clemens, o pia is about 3 minutes long, at 3:16. Based on our data, "Salve Regina, antienne à la Sainte Vierge, C. 114: V. O clemens, o pia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. Salve Regina, antienne à la Sainte Vierge, C. 114: V. O clemens, o pia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salve Regina, antienne à la Sainte Vierge, C. 114: V. O clemens, o pia by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Alain Buet, Fabien Armengaud is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Nisi Dominus, RV 608: VII. Gloria patri | Antonio Vivaldi, Syste Bulwalda, Netherlands Bach Collegium, Pieter Jan Leusink | D♭ Minor | 0 | 12A | 170 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: III. Minuetto | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 4 | 7B | 116 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Allein Gott in der Hoh sei Ehr, SwWV 299: Varitation 3 | Jan Pieterszoon Sweelinck, Joseph Kelemen | E Major | 2 | 12B | 67 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
The Tempest: Gavot | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 169 BPM |
Section: 0.6429338455200195
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