Frédéric Chopin, Marek Szlezer made "Mazurka in A-Flat Major, Op. 59 No. 2, B. 157" available on November 4, 2022. The duration of Mazurka in A-Flat Major, Op. 59 No. 2, B. 157 is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Mazurka in A-Flat Major, Op. 59 No. 2, B. 157's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in Chopin: Piano Works by Frédéric Chopin, Marek Szlezer. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. In terms of popularity, Mazurka in A-Flat Major, Op. 59 No. 2, B. 157 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Mazurka in A-Flat Major, Op. 59 No. 2, B. 157 by Frédéric Chopin, Marek Szlezer is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM |
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