Cello concerto in C major, Hob. VII b. 1: II. Adagio
Joseph Haydn, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne
Haydn & Mozart : Cello Concertos
8:02 January 1, 2003
BPM
91
Key
E Major
Camelot
12B

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Cello concerto in C major, Hob. VII b. 1: II. Adagio - Joseph Haydn, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne Information

Acousticness
99%
Danceability
32%
Energy
18%
Instrumentalness
0%
Liveness
25%
Loudness
76%
Speechiness
5%
Valence
10%
Popularity
Loudness
-14.273 dB

Summary

"Cello concerto in C major, Hob. VII b. 1: II. Adagio" by Joseph Haydn, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne had its release date on January 1, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne's "Haydn & Mozart : Cello Concertos" album is number 2 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Cello concerto in C major, Hob. VII b. 1: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello concerto in C major, Hob. VII b. 1: II. Adagio BPM

We consider the tempo marking of Cello concerto in C major, Hob. VII b. 1: II. Adagio by Joseph Haydn, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Cello concerto in C major, Hob. VII b. 1: II. Adagio Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

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ISRC
FR6V80314815
Label
L-M Records/RCA Records