"Don Carlo: Per me Giunto" by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya was released on 2003. With this song being about 5 minutes long, at 4:52, "Don Carlo: Per me Giunto" by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 11 in Arias by Wolfgang Amadeus Mozart, Ezio Pinza, Bruno Walter, Metropolitan Opera Orchestra, Wolfgang Amadeus Mozart, Thomas Quasthoff, Wolfgang Amadeus Mozart, Various Artists, Thomas Quasthoff, Bläserensemble des Niederösterreichischen Tonkünstlerorchesters, Maximilian Geller Quartet, Various Artists, Alex Wunder, Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Don Carlo: Per me Giunto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Carlo: Per me Giunto by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ulls verds | Sis de Ponent | E Major | 1 | 12B | 111 BPM | ||
La forza del destino, Act II, Scene I: Al suon del tamburo | Giuseppe Verdi, Anna Maria Chiuri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Minor | 2 | 8A | 117 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Primer Acte: Qui em Compra Vellanes | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 2 | 7B | 85 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
La Parranda: Diga Usted, Señor Platero | Francisco Alonso, Joan Pons | F♯ Major | 1 | 2B | 187 BPM | ||
La Rosa del Azafrán: Cuando Siembro voy Cantando | Jacinto Guerrero, Joan Pons | B♭ Major | 2 | 6B | 122 BPM | ||
Tant de temps | La Pols i l'Era, Joan Pons | E Minor | 8 | 9A | 98 BPM | ||
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM |
Section: 0.5788297653198242
End: 0.5840146541595459