Gregory Harrington's 'Prelude No. 24 In Dminor, Op. 34' came out on September 25, 2006. With Prelude No. 24 In Dminor, Op. 34 being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Reflections". In this album, this song's track order is #9. Based on our statistics, Prelude No. 24 In Dminor, Op. 34's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prelude No. 24 In Dminor, Op. 34 by Gregory Harrington having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": - Adagio | Franz Joseph Haydn, Orpheus Chamber Orchestra | A Major | 0 | 11B | 167 BPM | ||
Violin Sonata in D Minor, Op. 2, No. 7: Gigue (arr. for violin and piano) | Anonymous, Francesco Maria Veracini, Takako Nishizaki, Terence Dennis | G Minor | 1 | 6A | 122 BPM | ||
Paganini Sonata In A Major, Op. Posth: Nicolo Paganini | Mela Tenenbaum | A Major | 1 | 11B | 175 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Symphony No. 9 in E Minor, From The New World: Symphony No. 9 "New World Symphony": III. Scherzo - Molto vivace | Antonín Dvořák, Budapest Philharmonic Orchestra, Rico Saccani | C Major | 1 | 8B | 132 BPM | ||
La Folia | Arcangelo Corelli, Bin Huang, Hyun-Sun Kim | D Minor | 1 | 7A | 80 BPM | ||
Violin Concerto No. 3 in G Minor, Op. 12: I. Allegro risoluto | Friedrich Seitz, Hyejin Chung, Warren Lee | B♭ Major | 1 | 6B | 104 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM |
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