"Fedora" by Jussi Björling, Frederic Schauwecker was released on March 3, 1931. The duration of Fedora is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Fedora's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Germany. The popularity of Fedora is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fedora by Jussi Björling, Frederic Schauwecker having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
La farfalletta | Vincenzo Bellini, Cecilia Bartoli, James Levine | G Major | 0 | 9B | 101 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Fram för framgång (Head for Success), 1937: O Säg När På Skummande Vågor | SF Symphony Orchestra, Jussi Björling | E Minor | 3 | 9A | 69 BPM | ||
Wagner: Tannhäuser, Act 3: "Beglückt darf nun dich, o Heimat ich schauen" (Pilger, Elisabeth, Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend) | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Ivari Ilja | G Major | 1 | 9B | 84 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Adelaide, Op. 46 | Ludwig van Beethoven, Jussi Björling, Frederick Schauwecker | C Major | 4 | 8B | 66 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM |
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