"Préludes / Book 1, L.117: 5. Les collines d'Anacapri - Live" by Claude Debussy, Krystian Zimerman had its release date on November 18, 1993. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 24 in Debussy: Preludes by Claude Debussy, Krystian Zimerman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L.117: 5. Les collines d'Anacapri - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 1, L.117: 5. Les collines d'Anacapri - Live by Claude Debussy, Krystian Zimerman is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Images, Deuxième série, L. 111: No. 2, Et la lune descend sur le temple qui fut | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
Chopin: Piano Sonata No. 3 in B Minor, Op. 58: III. Largo | Frédéric Chopin, Martha Argerich | D♭ Major | 2 | 3B | 97 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Nocturne No.2 in B Major, Op.33 No.2 | Gabriel Fauré, Pascal Rogé | B Minor | 2 | 10A | 183 BPM | ||
Children's Corner, L. 113: III. Serenade for the Doll | Claude Debussy, Arturo Benedetti Michelangeli | A♭ Minor | 0 | 1A | 182 BPM | ||
Concerto in modo misolidio, P. 145: Lento | Ottorino Respighi, Konstantin Scherbakov, Slovak Radio Symphony Orchestra, Howard Griffiths | B♭ Minor | 0 | 3A | 74 BPM | ||
Debussy: Chansons de Bilitis, Musique de scène, CD 102, L. 96: VI. Bilitis | Claude Debussy, Nash Ensemble, Delphine Seyrig, Marisa Robles, Lionel Friend | E Major | 0 | 12B | 50 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
Pictures at an Exhibition: Il vecchio castello | Modest Mussorgsky, Evgeny Kissin | F♯ Major | 0 | 2B | 132 BPM | ||
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM |