Wolfgang Amadeus Mozart, Anne Sofie von Otter, The English Concert, Trevor Pinnock's 'Le nozze di Figaro, K.492 / Act 2: "Voi che sapete"' came out on January 1, 1997. The duration of Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Le nozze di Figaro, K.492 / Act 2: "Voi che sapete"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anne Sofie von Otter, The English Concert, Trevor Pinnock's "Gluck / Haydn / Mozart - Opera Arias" album is number 1 out of 14. On top of that, Germany appears to be the country where this track was created. Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, The English Concert, Trevor Pinnock to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème Atto I: "O soave fanciulla" | Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 81 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 0 | 5B | 100 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Don Giovanni, K. 527: Act II Scene 3: Canzonetta: Deh, vieni alla finestra (Don Giovanni) | Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz | E♭ Major | 2 | 5B | 125 BPM | ||
Venere, Amore e Ragione: Aria "D'amor l'accesa face" | Alessandro Scarlatti, Elizabeth Watts, The English Concert, Laurence Cummings | B Major | 3 | 1B | 116 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Final Scene: Gente! Gente! | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 2 | 9B | 125 BPM | ||
Dido and Aeneas / Act 3: "When I am laid in earth" - Excerpt | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | F♯ Minor | 1 | 11A | 85 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 66 BPM |
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