"Song of Norway, Act I: Hymn of Betrothal - Finale (arr. R. Wright and G. Forrest) [Mother, Nina, Edvard, Countess, Rikard, Chorus]" by Robert Shafer, Lawrence Brooks, Helena Bliss, Kitty Carlisle, Ivy Scott, Walter Kingsford, Kent Edwards, Gwen Jones, Sig Arno, Studio Chorus, Arthur Kay was released on April 28, 2009. With this song being about 5 minutes long, at 4:35, "Song of Norway, Act I: Hymn of Betrothal - Finale (arr. R. Wright and G. Forrest) [Mother, Nina, Edvard, Countess, Rikard, Chorus]" by Robert Shafer, Lawrence Brooks, Helena Bliss, Kitty Carlisle, Ivy Scott, Walter Kingsford, Kent Edwards, Gwen Jones, Sig Arno, Studio Chorus, Arthur Kay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Grieg, E.: Song of Norway (Recording With Original Cast Members) (1944-1945)" album is number 7 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Song of Norway, Act I: Hymn of Betrothal - Finale (arr. R. Wright and G. Forrest) [Mother, Nina, Edvard, Countess, Rikard, Chorus] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Song of Norway, Act I: Hymn of Betrothal - Finale (arr. R. Wright and G. Forrest) [Mother, Nina, Edvard, Countess, Rikard, Chorus] by Robert Shafer, Lawrence Brooks, Helena Bliss, Kitty Carlisle, Ivy Scott, Walter Kingsford, Kent Edwards, Gwen Jones, Sig Arno, Studio Chorus, Arthur Kay to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liaisons (Act One) | Angela Lansbury | F Major | 2 | 7B | 174 BPM | ||
The Pajama Game: I'll Never Be Jealous Again | Richard Adler, Jerry Ross, Eddie Foy Jr, Reta Shaw, The Original Broadway Cast Of The Pajama Game, Hal Hastings | E Major | 2 | 12B | 109 BPM | ||
Two of a Kind | Raymond Jaramillo McLeod, Jennifer Cody | A Minor | 4 | 8A | 133 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Offertoire | Hector Berlioz, Byron Jones, The Washington Chorus, Washington Orchestra, Robert Shafer | B♭ Major | 0 | 6B | 87 BPM | ||
The Pajama Game: Finale | Richard Adler, Jerry Ross, The Pajama Game Ensemble, The Original Broadway Cast Of The Pajama Game, Hal Hastings | D♭ Major | 6 | 3B | 117 BPM | ||
Finale | Gwen Verdon, Stephen Douglass, Ray Walston, Shannon Bolin, Robert Shafer, Russ Brown, Jimmie Komack, Nathaniel Frey, Albert Linville | G Major | 3 | 9B | 129 BPM | ||
Will Your Lawyer Talk to God | Robert Shafer | A Major | 4 | 11B | 120 BPM | ||
A Little Bit of Good | M. O'Haughey | D♭ Major | 4 | 3B | 114 BPM | ||
Sing! | Marvin Hamlisch, Renee Baughman, Don Percassi, Don Pippin | E Major | 4 | 12B | 79 BPM | ||
The Swan | Barbra Streisand | D♭ Major | 2 | 3B | 137 BPM |
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