Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II)
Ludwig van Beethoven, Lella Cuberli, Trudeliese Schmidt, Vinson Cole, José van Dam, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein
Maazel conducts Berliner Philharmoniker: Beethoven
4:04 May 16, 2023
BPM
85
Key
G Major
Camelot
9B

Embed

Share Link

Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II) - Ludwig van Beethoven, Lella Cuberli, Trudeliese Schmidt, Vinson Cole, José van Dam, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein Information

Acousticness
98%
Danceability
10%
Energy
12%
Instrumentalness
74%
Liveness
9%
Loudness
68%
Speechiness
4%
Valence
4%
Popularity
Loudness
-18.939 dB

Summary

"Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II)" by Ludwig van Beethoven, Lella Cuberli, Trudeliese Schmidt, Vinson Cole, José van Dam, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein was released on May 16, 2023. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ludwig van Beethoven, Lorin Maazel, Berliner Philharmoniker's "Maazel conducts Berliner Philharmoniker: Beethoven" album is number 58 out of 76. On top of that, Germany appears to be the country where this track was created. Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II) BPM

We consider the tempo marking of Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II) by Ludwig van Beethoven, Lella Cuberli, Trudeliese Schmidt, Vinson Cole, José van Dam, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Mass in D Major, Op. 123 "Missa Solemnis" / I. Kyrie - Assai sostenuto (Mit Andacht): Kyrie eleison (II) Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 by Carl Maria von Weber, Ensemble 3 MouvementsDivertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38Carl Maria von Weber, Ensemble 3 MouvementsG Major09B119 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Rondo in D Minor, Wq. 61/4, H. 290 by Carl Philipp Emanuel Bach, Christopher HinterhuberRondo in D Minor, Wq. 61/4, H. 290Carl Philipp Emanuel Bach, Christopher HinterhuberB♭ Major16B135 BPM
Nocturne No. 1 in E-Flat Major by John Field, Benjamin FrithNocturne No. 1 in E-Flat MajorJohn Field, Benjamin FrithE♭ Major05B73 BPM
Coppelia: Act I - Valse by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act I - ValseLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaE♭ Major05B89 BPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major by Clara Schumann, Jozef De Beenhouwer3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat MajorClara Schumann, Jozef De BeenhouwerB♭ Major06B100 BPM
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major by Franz Schubert, Khatia Buniatishvili4 Impromptus, Op. 90, D. 899: No. 3 in G-flat majorFranz Schubert, Khatia BuniatishviliF♯ Major02B69 BPM
Solfeggio, H. 220 by Carl Philipp Emanuel Bach, Rebecca ChambersSolfeggio, H. 220Carl Philipp Emanuel Bach, Rebecca ChambersC Minor25A125 BPM
Nocturne No. 5 in B Flat Major, H.37 by John Field, Elizabeth Joy RoeNocturne No. 5 in B Flat Major, H.37John Field, Elizabeth Joy RoeB♭ Major06B65 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
ISRC
DEF058501073
Label
L-M Records/RCA Records

Section: 0.8076169490814209

End: 0.8269059658050537