Orchester Der Staatsoper Berlin, Otto Klemperer's 'Salomes Tanz (Ausschnitt)' came out on June 30, 1988. The duration of Salomes Tanz (Ausschnitt) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Salomes Tanz (Ausschnitt)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 102 in Entartete Musik - Eine Tondokumentation zur Düsseldorfer Ausstellung von 1938 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Salomes Tanz (Ausschnitt) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salomes Tanz (Ausschnitt) by Orchester Der Staatsoper Berlin, Otto Klemperer is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frag ich mein beklommenes Herz (Der Barbier von Sevilla) | Miliza Korjus, Orchester Der Staatsoper Berlin | F Major | 1 | 7B | 125 BPM | ||
Ach, ich habe sie verloren (Orpheus und Eurydike) | Orchester Der Staatsoper Berlin, Eva Liebenberg | C Major | 2 | 8B | 73 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
War es so schmählich, was ich verbrach (Die Walküre) | Frida Leider, Friedrich Schorr, Orchester Der Staatsoper Berlin | G Major | 2 | 9B | 83 BPM | ||
La Sonnambula / Act 1: Introduzione | Vincenzo Bellini, Orchestra La Scintilla, Alessandro De Marchi | D Major | 2 | 10B | 93 BPM | ||
Un aura amorosa (Cosi fan tutte) | Koloman von Pataky, Orchester Der Staatsoper Berlin | A Major | 3 | 11B | 84 BPM | ||
Sonst spielt ich mit Zepter (Zar und Zimmermann) | Heinrich Schlusnus, Orchester Der Staatsoper Berlin | A♭ Major | 2 | 4B | 79 BPM | ||
Mein lieber Schwan (Lohengrin) | Max Lorenz, Orchester Der Staatsoper Berlin | D Major | 3 | 10B | 77 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
Allmächt´ge Jungfrau (Tannhäuser) | Lotte Lehmann, Orchester Der Staatsoper Berlin | F♯ Major | 2 | 2B | 108 BPM |
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