- BPM
- 93
- Key
- G Major
- Camelot
- 9B
4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein - Erich Wolfgang Korngold, Wolfgang David, David Gompper Information
- Acousticness
- 97%
- Danceability
- 52%
- Energy
- 16%
- Instrumentalness
- 4%
- Liveness
- 18%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 44%
- Popularity
- 0%
- Loudness
- -16.77 dB
Summary
Erich Wolfgang Korngold, Wolfgang David, David Gompper made "4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein" available on 2009. The duration of 4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. 4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Debussy - Korngold - Bartók - Messiaen - Schoenberg: The New Canon by Wolfgang David, David Gompper. In terms of popularity, 4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein BPM
The tempo marking of 4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein by Erich Wolfgang Korngold, Wolfgang David, David Gompper is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
4 Pieces from Much Ado About Nothing, Op.11: II. Holzapfel und Schlehwein Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | |
 | Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | |
 | Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 2. Vivace non troppo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | F Major | 3 | 7B | 132 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | |
 | Escape From The Gallows - Re-record | Erich Wolfgang Korngold | G Major | 2 | 9B | 126 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 2.7379770278930664
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