"Doja Pater loge Pnevma, Kai nin Tes tis Theotokou, Mi katapistefsis me" by Choir of Vatopedi Fathers was released on 2007. With Doja Pater loge Pnevma, Kai nin Tes tis Theotokou, Mi katapistefsis me being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Paraklitikos Kanon Panagias tis Pantanassis". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Greece. Doja Pater loge Pnevma, Kai nin Tes tis Theotokou, Mi katapistefsis me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Doja Pater loge Pnevma, Kai nin Tes tis Theotokou, Mi katapistefsis me by Choir of Vatopedi Fathers having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
“Έτη και έτη…” | Χορός Βατοπαιδινών Πατέρων | D♭ Major | 0 | 3B | 137 BPM | ||
Alleluiarion - When the Glorious Disciples (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D♭ Major | 3 | 3B | 90 BPM | ||
Rejoice, Life-giving Cross (Byzantine Chant, Tone 5, Special Melody "Rejoice") | St. Symeon Orthodox Church Ensemble "Antiphony" | E♭ Major | 7 | 5B | 160 BPM | ||
Μακάριος Ανήρ Δογματικόν Θεοτοκίον Ήχος Τέταρτος Λέγετος | Βυζαντινός Χορός Τρόπος, Κωνσταντῖνος Ἀθ. Ἀγγελίδης | B♭ Minor | 4 | 3A | 133 BPM | ||
Νίψομαι Εν Αθώοις Τας Χείρας Μου… | Χορός Αγιορειτών Πατέρων | A Major | 3 | 11B | 86 BPM | ||
Apolitikia, Efhi Kollivon | Choir of Vatopedi Fathers | C Major | 4 | 8B | 64 BPM | ||
Πρόσχωμεν Τα Άγια Τοις Αγίοις… | Χορός Αγιορειτών Πατέρων | A Major | 3 | 11B | 86 BPM | ||
Ωδή Αγ. Νικολάου | Ιερός Ναός Αγίου Νικολάου Αρετσούς Δέρκων | G Minor | 1 | 6A | 67 BPM | ||
Doxastikhon of the Praises of Pentecost (Byzantine Chant, Tone 6) | St. Symeon Orthodox Church Ensemble "Antiphony" | G Minor | 2 | 6A | 72 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: IV. Glory. Both Now. | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 1 | 7B | 125 BPM |
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