Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse's 'Tansman: Musique de cour d'après Robert de Visée: VI. Gigue' came out on October 2, 2020. With Tansman: Musique de cour d'après Robert de Visée: VI. Gigue being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 21 in Aranjuez by Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Tansman: Musique de cour d'après Robert de Visée: VI. Gigue is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tansman: Musique de cour d'après Robert de Visée: VI. Gigue by Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carcassi op.60 n.12 andante mosso | Matteo Carcassi, Lucio Matarazzo | D Major | 2 | 10B | 127 BPM | ||
Britten / Transcr. Garcia: Folksong Arrangements, Vol. II "France": No. 6, Il est quelqu'un sur terre | Benjamin Britten, Philippe Jaroussky, Thibaut García | E Minor | 0 | 9A | 84 BPM | ||
Harpsichord Concerto in D Minor, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Shani Diluka, Ben Glassberg, Orchestre de chambre de Paris | G Minor | 2 | 6A | 137 BPM | ||
Guitar Sonatina, Op. 52, No. 1: II. Lento - Tempo rubato | Lennox Berkeley, Kyuhee Park | E Minor | 0 | 9A | 70 BPM | ||
Suite in modo polonico (Excerpts): I. Entrée | Alexandre Tansman, Andrea de Vitis | A Minor | 0 | 8A | 102 BPM | ||
Deutsche Weise (German Air) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 101 BPM | ||
24 Preludes: No. 1 In C Major | Adam Holzman, Manuel Ponce | C Major | 1 | 8B | 85 BPM | ||
3 Piezas Rioplatenses: Rojo y negro | Maximo Diego Pujol, Victor Villadangos | B Minor | 2 | 10A | 133 BPM | ||
4 Obras Originales: No. 1. Baile de Munecas | Regino Sáinz de la Maza, Franz Halász | G Major | 1 | 9B | 129 BPM | ||
Guitar Suite: I. Notturno romantico | Alexandre Tansman, Andrea de Vitis | D Minor | 0 | 7A | 71 BPM |
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