Wiener Philharmoniker, Clemens Krauss made "Johann Strauss Sohn: I-Tüpferl Polka OP. 377" available on May 1, 2009. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wiener Philharmoniker Live: 1941 - 1. Neujahrskonzert der Wiener Philharmoniker by Wiener Philharmoniker. The song's track number on the album is #9 out of 12 tracks. Based on our data, Austria was the country where this track was produced or recorded. Johann Strauss Sohn: I-Tüpferl Polka OP. 377 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Johann Strauss Sohn: I-Tüpferl Polka OP. 377 by Wiener Philharmoniker, Clemens Krauss has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Johann Strauss Sohn: I-Tüpferl Polka OP. 377 being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 1 | 10B | 93 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Hungarian Dance No.8 In A Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 151 BPM | ||
Wein, Weib und Gesang, Walzer, Op. 333 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 1 | 6B | 101 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 153 BPM |
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