"2 Yuletide Pieces, Op. 19: Impromptu" by Howard Hanson, Thomas Labe was released on May 29, 2000. The duration of 2 Yuletide Pieces, Op. 19: Impromptu is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 2 Yuletide Pieces, Op. 19: Impromptu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Howard Hanson's "Hanson: Piano Sonata / Poemes Erotiques / for the First Time" album is number 1 out of 28. The popularity of 2 Yuletide Pieces, Op. 19: Impromptu is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Yuletide Pieces, Op. 19: Impromptu by Howard Hanson, Thomas Labe to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaéton, Op.39 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 80 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | F Major | 1 | 7B | 90 BPM | ||
Maypole Dances | Howard Hanson, Keith Lockhart | E Minor | 1 | 9A | 89 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
For the First Time: Bells | Howard Hanson, Thomas Labe | D Minor | 0 | 7A | 63 BPM | ||
Estancia, Op. 8a: II. Danza del trigo | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | C Major | 0 | 8B | 87 BPM |
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