"Gesang am BrunnenGesang am Brunnen - Oratorio for soprano, tenor, baritone, mixed choir and chamber orchestra: XII. Verstehen – durch Stille & XIII. Sinkt jeder Tag" by Juliusz Luciuk, Dag Hammarskjöld, Pablo Neruda, Bożena Harasimowicz-Haas, Jacek Laszczkowski, Janusz Borowicz, Jose Maria Florencio, Marek Kluza, Polish Radio Chamber Orchestra in Krakow was released on July 4, 2022. The duration of Gesang am BrunnenGesang am Brunnen - Oratorio for soprano, tenor, baritone, mixed choir and chamber orchestra: XII. Verstehen – durch Stille & XIII. Sinkt jeder Tag is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Gesang am BrunnenGesang am Brunnen - Oratorio for soprano, tenor, baritone, mixed choir and chamber orchestra: XII. Verstehen – durch Stille & XIII. Sinkt jeder Tag's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Łuciuk: Gesang am Brunnen, so we believe that "Gesang am BrunnenGesang am Brunnen - Oratorio for soprano, tenor, baritone, mixed choir and chamber orchestra: XII. Verstehen – durch Stille & XIII. Sinkt jeder Tag" is a single. Gesang am BrunnenGesang am Brunnen - Oratorio for soprano, tenor, baritone, mixed choir and chamber orchestra: XII. Verstehen – durch Stille & XIII. Sinkt jeder Tag is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gesang am BrunnenGesang am Brunnen - Oratorio for soprano, tenor, baritone, mixed choir and chamber orchestra: XII. Verstehen – durch Stille & XIII. Sinkt jeder Tag by Juliusz Luciuk, Dag Hammarskjöld, Pablo Neruda, Bożena Harasimowicz-Haas, Jacek Laszczkowski, Janusz Borowicz, Jose Maria Florencio, Marek Kluza, Polish Radio Chamber Orchestra in Krakow is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Bianco e Dolce Cigno | The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield | E♭ Major | 1 | 5B | 131 BPM | ||
Völuspá | Kryionia Bard | F Minor | 0 | 4A | 63 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Three Songs: No. 2, Quand les hommes vivront d'amour | Philip Glass, The Elysian Singers | C Major | 2 | 8B | 134 BPM | ||
My Soul | Ellen Andrea Wang, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde | C Major | 1 | 8B | 82 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Ave, lauderis | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
Sister Water (precious and pure) | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel, Adrian Bradbury | E♭ Major | 2 | 5B | 95 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM |
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