- BPM
- 157
- Key
- C Minor
- Camelot
- 5A
Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue - Silvius Leopold Weiss, Virginio Fadda Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 22%
- Instrumentalness
- 88%
- Liveness
- 9%
- Loudness
- 54%
- Speechiness
- 4%
- Valence
- 90%
- Popularity
- 4%
- Loudness
- -27.654 dB
Summary
On February 1, 2015, the song "Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue" was released by Silvius Leopold Weiss, Virginio Fadda. The duration of Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 8 out of 24. Based on our statistics, Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue BPM
We consider the tempo marking of Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue by Silvius Leopold Weiss, Virginio Fadda to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
Lute Suite in D Minor (from Manoscritto di Dresda No. 5): VIII. Gigue Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concert XXV | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Minor | 0 | 5A | 112 BPM | |
 | Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | |
 | Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | |
 | Sonata No. 1 in F Major, WeissSW 1: V. Sarabande | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | |
| Ayres for the Violin (arr. for guitar): Aria II | Nicola Matteis, Pierre Pitzl | B Major | 0 | 1B | 99 BPM | |
 | Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | |
 | Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | |
 | A gigge | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 76 BPM | |
 | Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | |
 | Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.53067946434021
End: 0.5346255302429199