Antonio Vivaldi, Elizabeth Wilcock, Monica Huggett, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood's '12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 2 in G Minor for 2 Violins and Cello, RV 578: 1. Adagio e Spiccato' came out on January 1, 1998. With 12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 2 in G Minor for 2 Violins and Cello, RV 578: 1. Adagio e Spiccato being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: L'Estro Armonico ; 6 Flute Concertos by Antonio Vivaldi, Stephen Preston, Academy of Ancient Music, Christopher Hogwood. The song's track number on the album is #24 out of 60 tracks. Based on our statistics, 12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 2 in G Minor for 2 Violins and Cello, RV 578: 1. Adagio e Spiccato's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since 12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 2 in G Minor for 2 Violins and Cello, RV 578: 1. Adagio e Spiccato by Antonio Vivaldi, Elizabeth Wilcock, Monica Huggett, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 2 in G Minor for 2 Violins and Cello, RV 578: 1. Adagio e Spiccato being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In F Minor, Op. 1, No. 8: IV. Pastorale: Largo Andante (Locatelli) | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | E Major | 1 | 12B | 126 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | C Minor | 1 | 5A | 78 BPM | ||
Concerto No. 3 In G Major RV 310: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 3 | 3B | 116 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F♯ Major | 1 | 2B | 141 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Trio Sonata in E-Flat Major, Op. 8, No. 6: II. Andante | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 86 BPM | ||
Sammartini : Sonata III for 2 Cellos in A minor : III Minuet - Allegro | Giovanni Battista Sammartini, Anner Bylsma | B Major | 1 | 1B | 93 BPM | ||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | F♯ Minor | 0 | 11A | 81 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM |
Section: 0.6877028942108154
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