On February 13, 2015, the song "Sonata VI in D Minor: Sonata VI in D Minor: I. Affectuoso" was released by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier. The duration of Sonata VI in D Minor: Sonata VI in D Minor: I. Affectuoso is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Sonata VI in D Minor: Sonata VI in D Minor: I. Affectuoso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Schultzen: Recorder Sonatas". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. The popularity of Sonata VI in D Minor: Sonata VI in D Minor: I. Affectuoso is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata VI in D Minor: Sonata VI in D Minor: I. Affectuoso by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Sonata a Violoncello Solo G Major: Largo | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonata in G Minor: I. — | Giovanni Buonaventura Viviani, Veronika Skuplik, Andreas Arend | B Minor | 3 | 10A | 70 BPM | ||
Sonata III in D Minor: Sonata III in D Minor: II. Presto | Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier | G Minor | 3 | 6A | 78 BPM | ||
Theodora, HWV 68, Pt. II: Symphony Of Soft Musick | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM |
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