"Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf" by Michel Richard Delalande, Jean-François Paillard, Orchestre de chambre Jean-François Paillard was released on August 26, 2022. Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 161 out of 314 in French Baroque Music: Leclair, Lalande, Couperin, Rameau... by Jean-François Paillard, François Couperin, Jean-Marie Leclair, Jean-Philippe Rameau, Joseph Bodin de Boismortier, Marc-Antoine Charpentier, Marin Marais, Michel Corrette, Michel Richard Delalande. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf by Michel Richard Delalande, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Te Deum, S.32: XVII. Miserere nostri | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Sean Clayton, Cyril Auvity, André Morsch | B Major | 1 | 1B | 180 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM | ||
Troisième Caprice: Air | Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg | D♭ Minor | 4 | 12A | 124 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Ariette. Augelletti (Florine) | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Dido and Aeneas, Z.626, Act III Scene 2: Thy Hand Belinda; Darkness Shades Me (Dido) | Henry Purcell, Les Argonautes, Jonas Descotte, Camille Allérat | F♯ Major | 1 | 2B | 84 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM |
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