"Piano Concerto No. 1 in E Minor, Op. 5: II. Andante" by Ernst von Dohnányi, BBC Scottish Symphony Orchestra, David Flack, Fedor Glushchenko, Martin Roscoe was released on October 1, 1993. Piano Concerto No. 1 in E Minor, Op. 5: II. Andante appears to be safe for all ages as it is not explicit. The song is number 2 out of 6 in Dohnányi: Piano Concertos Nos. 1 & 2 (Hyperion Romantic Piano Concerto 6) by Ernst von Dohnányi, Martin Roscoe, BBC Scottish Symphony Orchestra, Fedor Glushchenko. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piano Concerto No. 1 in E Minor, Op. 5: II. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 in E Minor, Op. 5: II. Andante by Ernst von Dohnányi, BBC Scottish Symphony Orchestra, David Flack, Fedor Glushchenko, Martin Roscoe is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Piano Pieces, Op. 1: No. 6, Pastorale | Halfdan Cleve, Eva Knardahl | A Minor | 0 | 8A | 75 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IV: L'istesso tempo (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": II. Adagio molto espressivo | Ludwig van Beethoven, Antje Weithaas, Dénes Várjon | B♭ Major | 0 | 6B | 69 BPM | ||
Tarantelle styrienne, L. 69 | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
7 Piano pieces, Op. 11: No. 2. Szekely lament: Rubato parlando | Zoltán Kodály, Andrew Rangell | E♭ Major | 1 | 5B | 64 BPM | ||
Piano Concerto in F Minor, Op. 16: II. Larghetto | Adolph von Henselt, Paul Wee, Swedish Chamber Orchestra, Michael Collins | D Major | 3 | 10B | 147 BPM | ||
Humoresque in G-Flat Major, B. 187/7 | Antonín Dvořák, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
Piano Trio No. 2 in E-Flat Major, D. 929 / Op. 100: III. Scherzando. Allegro moderato | Franz Schubert, Trio Opus 8 | G Major | 0 | 9B | 98 BPM |
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