Alicia de Larrocha made "GRANADOS: VALSES POETICOS: NO 2, TEMPO DE VALS NOBLE" available on August 22, 1992. With GRANADOS: VALSES POETICOS: NO 2, TEMPO DE VALS NOBLE being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alicia de Larrocha's "Goyescas Etc." album is number 7 out of 26. Based on our statistics, GRANADOS: VALSES POETICOS: NO 2, TEMPO DE VALS NOBLE's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of GRANADOS: VALSES POETICOS: NO 2, TEMPO DE VALS NOBLE by Alicia de Larrocha to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Chaconne in G Major, HWV 435 (arr. E. d'Albert for piano) | Eugen d'Albert, George Frideric Handel, Roberto Cominati | G Major | 1 | 9B | 117 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | ||
Nocturne No.18 in F Major, H.62 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 72 BPM | ||
Piano Sonata in D, H.XVI No.37: 3. Finale (Presto, ma non troppo) | Joseph Haydn, Alfred Brendel | B♭ Minor | 1 | 3A | 67 BPM | ||
Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM | ||
48 Esquisses, Op. 63, Book 2: No. 18, Liedchen | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM |
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