On May 4, 1996, the song "New Orleans Nights" was released by Paul Lenart, Bill Reynolds, Billy Novick, Mark Shane, Peter Ecklund. With New Orleans Nights being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 13 in Dixieland (New Orleans Jazz) by Bill Reynolds, Billy Novick, Paul Lenart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, New Orleans Nights's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of New Orleans Nights by Paul Lenart, Bill Reynolds, Billy Novick, Mark Shane, Peter Ecklund is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
At The Georgia Camp Meeting (live) | Jug & Washboar Tub Back Yard | B♭ Major | 3 | 6B | 109 BPM | ||
Little Girl | Giorgio Cuscito | B♭ Major | 2 | 6B | 96 BPM | ||
Cherry | Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione | G Major | 5 | 9B | 172 BPM | ||
Blues for Jimmy Noone | Kid Ory's Creole Jazz Band | B Major | 4 | 1B | 131 BPM | ||
Nobody's Sweetheart - 1996 Remastered | Benny Goodman Trio | A♭ Major | 5 | 4B | 155 BPM | ||
Wild Man Blues | Johnny Dodds | F♯ Minor | 3 | 11A | 171 BPM | ||
Mary Lou Williams Blues (01-26-40) | Mary Lou Williams | C Minor | 2 | 5A | 138 BPM | ||
Stuffy (Feat. Billy Novick) | J.Geils, Billy Novick | C Major | 5 | 8B | 132 BPM | ||
Waiting For Robert E. Lee | Bourbon Street Jazzband | B♭ Major | 6 | 6B | 142 BPM | ||
Creole love call | The Veterinary Street Jazz Band | B♭ Major | 2 | 6B | 97 BPM |
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