Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan's 'L'Arlésienne Suite No. 2: Intermezzo' came out on June 27, 2020. L'Arlésienne Suite No. 2: Intermezzo is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 16 out of 45 in Bizet: An Introduction by Georges Bizet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'Arlésienne Suite No. 2: Intermezzo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2: Intermezzo by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Je frémis...Quoi ! Innocent ?...Je suis jaloux (Léïla, Zurga) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Orchestre de l'Opéra National de Paris/Georges Prêtre/Guillermo Sarabia/Alain Vanzo/Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 2 | 6B | 94 BPM | ||
Au fond du temple saint (Temple Duet) (Act I) | Eugene Cormon, Georges Bizet, Michel Carre, Wynne Evans, Owain Arwel Hughes, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 165 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM |
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