Josef Strauss, André Rieu, Johann Strauss Orchestra's 'Vienna Blood' came out on January 1, 2009. The duration of Vienna Blood is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Vienna Blood's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Rieu's "Live In Dresden (The Wedding At The Opera)" album is number 4 out of 15. Vienna Blood is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vienna Blood by Josef Strauss, André Rieu, Johann Strauss Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 11 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 77 BPM | ||
Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Feuerfest, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 94 BPM | ||
Act II: Entree Of Kitri & Basil (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 121 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Capriccio Espagnol, Op. 34: 3. Alborada | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 2 | 5B | 133 BPM | ||
Sylvia: Pizzicato (aus Suite) | Léo Delibes, Nurnberger Symphoniker, Räto Tschupp | E♭ Major | 1 | 5B | 131 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM |
Section: 0.8047358989715576
End: 0.8084640502929688