Remo Giazotto, Vadim Chaimovich's 'Adagio in G Minor "Albinoni's Adagio" - Arr. for Piano by F. Pott' came out on September 3, 2021. Since Adagio in G Minor "Albinoni's Adagio" - Arr. for Piano by F. Pott is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Adagio in G Minor "Albinoni's Adagio" (Arr. for Piano by F. Pott) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Adagio in G Minor "Albinoni's Adagio" - Arr. for Piano by F. Pott is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio in G Minor "Albinoni's Adagio" - Arr. for Piano by F. Pott by Remo Giazotto, Vadim Chaimovich is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi 4 Seasons, Spring 3 - Allegro | Manuele Cid | E Major | 1 | 12B | 99 BPM | ||
Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
Nocturne No. 8 in D-Flat, Op. 27 No. 2 | Rogerio Tutti | D♭ Major | 0 | 3B | 59 BPM | ||
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM | ||
Lyric Pieces, Book 1, Op. 12: No. 1, Arietta | Edvard Grieg, Marian Lapsansky | D♭ Major | 1 | 3B | 66 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
Adagio for Strings and Organ in G minor (Arr. Curley) | Remo Giazotto, Carlo Curley | C Minor | 0 | 5A | 76 BPM | ||
Pelléas et Mélisande: I. Ils étaient comme des enfants | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 172 BPM | ||
Prelude in E Minor (Op. 28 No. 4) | Rousseau | E Minor | 0 | 9A | 78 BPM |
Section: 0.636603832244873
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