Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt made "Sinfonia Con due Trombe e Instrumenti, (G. 22): I. Vivace e Staccato" available on 2006. With Sinfonia Con due Trombe e Instrumenti, (G. 22): I. Vivace e Staccato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 74 in the song's album "Torelli: Complete Trumpet Concertos". In this album, this song's track order is #66. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Sinfonia Con due Trombe e Instrumenti, (G. 22): I. Vivace e Staccato's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sinfonia Con due Trombe e Instrumenti, (G. 22): I. Vivace e Staccato by Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Recorder Trio in B-Flat Major, TWV 42:B4: I. Dolce (Arr. For Recorder, Lute, Cello & Harpsichord) | Georg Philipp Telemann, Dan Laurin, Mogens Rasmussen, Leif Meyer | A Major | 1 | 11B | 103 BPM | ||
Sonata in B-flat Major, No. 2: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 105 BPM | ||
Recorder Concerto in F Major: II. (Siciliano) | Giuseppe Sammartini, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra | B Minor | 0 | 10A | 97 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Major | 0 | 2B | 101 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM |
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