Robert de Visée, Pascal Monteilhet's 'Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande' came out on January 1, 1993. The duration of Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 31 in De Visée: Suites de danses by Robert de Visée, Pascal Monteilhet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande by Robert de Visée, Pascal Monteilhet is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Suite No. 1 in A Major | Christian Zimmermann | A♭ Major | 2 | 4B | 82 BPM | ||
Come Away, P. 60 | John Dowland, Nigel North | E♭ Major | 1 | 5B | 102 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Preludio Primo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 133 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
La Promenade: Prelude | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Preludio Décimo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Minor | 1 | 11A | 108 BPM | ||
Dialogo sopra un Pass'emezzo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Minor | 1 | 6A | 116 BPM |
Section: 0.5515005588531494
End: 0.5548825263977051