Robert de Visée, Pascal Monteilhet's 'Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande' came out on January 1, 1993. The duration of Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 31 in De Visée: Suites de danses by Robert de Visée, Pascal Monteilhet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Sarabande by Robert de Visée, Pascal Monteilhet is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Courante: Corante | Robert Ballard, Joachim Held | A Major | 2 | 11B | 165 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Pavana de Alexandre (Gallárda) | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 126 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Les Couplets | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 123 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
For Several Friends: Suite in G Major-minor: I. Fantazie | Matthew Locke, Ensemble Masques | F Minor | 1 | 4A | 109 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM |
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