"Dutilleux: The Shadows of Time: III. Mémoires des ombres "Pour Anne Frank, et pour tous les enfants du monde, innocents" - Interlude" by Henri Dutilleux, Seiji Ozawa, Joël Esher, Rachel Plotkin, Jordan Swaim, Boston Symphony Orchestra was released on August 1, 1998. Since Dutilleux: The Shadows of Time: III. Mémoires des ombres "Pour Anne Frank, et pour tous les enfants du monde, innocents" - Interlude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 5 in Dutilleux: The Shadows of Time by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Dutilleux: The Shadows of Time: III. Mémoires des ombres "Pour Anne Frank, et pour tous les enfants du monde, innocents" - Interlude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dutilleux: The Shadows of Time: III. Mémoires des ombres "Pour Anne Frank, et pour tous les enfants du monde, innocents" - Interlude by Henri Dutilleux, Seiji Ozawa, Joël Esher, Rachel Plotkin, Jordan Swaim, Boston Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiaen: Éclairs sur l'au-delà...: V. Demeurer dans l'Amour | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Ragazze Quartet | F Major | 2 | 7B | 165 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | E♭ Major | 1 | 5B | 112 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Tango (La cumparsita) | G. M. Rodriguez, Gerardo Matos Rodríguez, Aurelio Scotto, ReWind Quintet | B♭ Major | 1 | 6B | 118 BPM | ||
The Closed Courtyard | Aigars Raumanis, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Higgins: Sonata for Alto Trombone I:II | Timothy Higgins, Tim Higgins, Sophia Kim Cook | B♭ Major | 0 | 6B | 125 BPM |
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