Robert Stevenson made "Chapter 1.5 & Chapter 2.1 - L'ile au trésor" available on January 1, 2012. Since Chapter 1.5 & Chapter 2.1 - L'ile au trésor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Robert Stevenson's "L'ile au trésor" album is number 5 out of 7. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Chapter 1.5 & Chapter 2.1 - L'ile au trésor is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chapter 1.5 & Chapter 2.1 - L'ile au trésor by Robert Stevenson to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercada ottava La Gamba | Diego Ortiz, Mika Suihkonen | F♯ Minor | 2 | 11A | 106 BPM | ||
Bransle Loraine, TMA18 | Michael Praetorius, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 93 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Tarara qui yo soy Antoniyo | Antonio de Salazar, Robert Stevenson, Stockholm Ensemble Villancico, Peter Pontvik | F♯ Major | 5 | 2B | 134 BPM | ||
Divini occhi sereni | Philippe Verdelot, Profeti Della Quinta | D♭ Minor | 1 | 12A | 83 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
O quam tu pulchra es | Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i Disinvolti | D Major | 0 | 10B | 101 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM |
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