"Maria Szimanowska-Wolowska - Le Murmure Nocturne As-Dur -Allegretto" by Maria Szimanowska-Wolowska, Christine Harnisch was released on October 22, 2021. The duration of Maria Szimanowska-Wolowska - Le Murmure Nocturne As-Dur -Allegretto is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Maria Szimanowska-Wolowska - Le Murmure Nocturne As-Dur -Allegretto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 19 in Concerto Etudes and Toccatas by 19th and 20th Century Women Composers by Christine Harnisch. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Maria Szimanowska-Wolowska - Le Murmure Nocturne As-Dur -Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Maria Szimanowska-Wolowska - Le Murmure Nocturne As-Dur -Allegretto by Maria Szimanowska-Wolowska, Christine Harnisch is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Po zarostlém chodníčku - Series I: V. Štěbetaly jak laštovičky | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Symphony No. 1 in D Major, Op. 25 “Classical” (Transcr. for Piano by Florian Noack): I. Allegro | Sergei Prokofiev, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
ショパン:ワルツ第12番 ヘ短調 作品70の2(遺作) | タチアナ・シェバノワ | F Major | 1 | 7B | 142 BPM | ||
18 German Dances and Ecossaises, Op. 33, D. 783, German Dances: No. 2 in D Major - No. 3 in B-Flat Major - No. 8 in E-Flat Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
12のエチュード集 作品25-12 ハ短調 | Irina Mejoueva | A♭ Major | 1 | 4B | 115 BPM | ||
2 Pieces, TN ii/17: No. 1, Morceau de fantaisie | Sergei Rachmaninoff, Elena Dorozhkina | C Minor | 2 | 5A | 135 BPM | ||
9 Preludes, Op. 103: No. 7 in A Major | Gabriel Fauré, Kathryn Stott | A Major | 0 | 11B | 131 BPM | ||
Guardo La Mia Terra in Lacrime | Paolo MIllon | D Minor | 2 | 7A | 80 BPM | ||
ロマンス (EL ADAM ESPANOLより) | Mari Kumamoto | G Major | 1 | 9B | 113 BPM | ||
12 Études, Op. 25: No. 1 in A-Flat Major, B. 104 "Aeolian Harp" | Frédéric Chopin, Andhika Patrick | G Major | 0 | 9B | 71 BPM |
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