"Woman, Why Weepest Thou?" by Rob Gardner, Spire Chorus & London Symphony Orchestra was released on November 6, 2012. The duration of Woman, Why Weepest Thou? is about 3 minutes long, at 3:01. Based on our data, "Woman, Why Weepest Thou?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of We Must Sing by Rob Gardner, Spire Chorus & London Symphony Orchestra. The song's track number on the album is #4 out of 19 tracks. Woman, Why Weepest Thou? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Woman, Why Weepest Thou? by Rob Gardner, Spire Chorus & London Symphony Orchestra has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Woman, Why Weepest Thou? being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amazing Grace | Freddie Ashby | G Major | 2 | 9B | 136 BPM | ||
O That I Were An Angel | Allyse Smith | E Major | 1 | 12B | 71 BPM | ||
I Need Thee Every Hour | Michael R. Hicks | C Major | 1 | 8B | 130 BPM | ||
Behold the Wood | St. Louis Jesuits | G Major | 1 | 9B | 76 BPM | ||
Like the Sea | Lex de Azevedo, Carol Lynn Pearson, Dick Wells | D Major | 2 | 10B | 80 BPM | ||
Real to Me | Anna Richey | B♭ Major | 3 | 6B | 137 BPM | ||
He Knows (feat. Timothy Goodman) | Michael R. Hicks, Timothy Goodman | F Major | 1 | 7B | 116 BPM | ||
Let Zion in Her Beauty Rise (Arr. J. Kasen for Men's Choir & Organ) | Edward Partridge, BYU Men's Chorus, Seth Bott, Rosalind Hall | F Major | 1 | 7B | 93 BPM | ||
Heaven's at Hand | Lex de Azevedo, Carol Lynn Pearson, Sarah Gibbons | G Major | 1 | 9B | 114 BPM | ||
My Dear Redeemer Lord and King | Daniel Beck | B♭ Major | 1 | 6B | 135 BPM |
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