"5 Vortragsstudien, Op. 9: IV. Träumen" by Josef Rheinberger, Jurg Hanselmann was released on June 1, 2011. The duration of 5 Vortragsstudien, Op. 9: IV. Träumen is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. 5 Vortragsstudien, Op. 9: IV. Träumen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Rheinberger, Jurg Hanselmann's "Josef Gabriel Rheinberger: Klavierwerke" album is number 6 out of 165. On top of that, Germany appears to be the country where this track was created. 5 Vortragsstudien, Op. 9: IV. Träumen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Vortragsstudien, Op. 9: IV. Träumen by Josef Rheinberger, Jurg Hanselmann to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | E Major | 1 | 12B | 76 BPM | ||
Sancta Maria, mater Dei, K. 273 | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 1 | 7B | 77 BPM | ||
God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Les Chansons des roses: No. 4. La Rose Complete. No. 5. Dirait-on | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 79 BPM | ||
Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Barbara Bonney, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 1 | 7B | 116 BPM |
Section: 0.5630333423614502
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