"Laudamus Dominum, Psaume, Antienne, Mode II" by Anonymous, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos was released on 2010. The duration of Laudamus Dominum, Psaume, Antienne, Mode II is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Laudamus Dominum, Psaume, Antienne, Mode II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Noël à Silos". In this album, this song's track order is #24. Furthermore, we believe that the track originated from France. In terms of popularity, Laudamus Dominum, Psaume, Antienne, Mode II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Laudamus Dominum, Psaume, Antienne, Mode II by Anonymous, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Te Deum (Gregorian) | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | A Minor | 2 | 8A | 137 BPM | ||
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
O Filii et Filiae | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 3 | 5A | 71 BPM | ||
Cherubic Hymn, mode 5 | Sofia Priest Choir, Kiril Popov; Archpriest M. Minchev | D♭ Minor | 2 | 12A | 86 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM |
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