Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger made "Chiome d'oro" available on January 1, 2006. The duration of Chiome d'oro is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Chiome d'oro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 29 in Charpentier, M.-A.: Medee / Monteverdi, C.: Madrigals (Boulanger) (1937, 1953) by Paul Derenne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Chiome d'oro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chiome d'oro by Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo - Act 1: Lasciate i monti | Claudio Monteverdi, New London Consort, Philip Pickett | G Major | 2 | 9B | 113 BPM | ||
O solitude, my sweetest choice, Z. 406 | Henry Purcell, Valer Barna-Sabadus, Pavel Serbin, Axel Wolf | B Minor | 1 | 10A | 73 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Euridice, Scena I: Per quel vago boschetto | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Luca Dordolo, Sylva Pozzer, Alessandro Carmignani, Mirko Guadagnini, Alessandro Gargiulo | G Major | 0 | 9B | 101 BPM | ||
Il ritorno d'Ulisse in patria: Sinfonia | Claudio Monteverdi, René Jacobs, Concerto Vocale | A Minor | 1 | 8A | 116 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Vespro della Beata Vergine, SV 206: Ave maris stella a 8 - Live | Claudio Monteverdi, Michael Chance, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, The Monteverdi Choir, The London Oratory Junior Choir | D Major | 2 | 10B | 125 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM |
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