明日になればね - Takaishi Tomoya & The Natasha Seven Information

Acousticness
68%
Danceability
40%
Energy
92%
Instrumentalness
0%
Liveness
49%
Loudness
78%
Speechiness
12%
Valence
4%
Popularity
Loudness
-13.378 dB

Summary

"明日になればね" by Takaishi Tomoya & The Natasha Seven was released on June 7, 1989. The duration of 明日になればね is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 明日になればね's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in BIG ARTIST Best COLLECTION 高石ともやとザ・ナターシャーセブン by Takaishi Tomoya & The Natasha Seven. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 明日になればね's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

明日になればね BPM

The tempo marking of 明日になればね by Takaishi Tomoya & The Natasha Seven is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

明日になればね Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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ISRC
JPTO08914220
Label
L-M Records/RCA Records

Section: 0.4654419422149658

End: 0.46884870529174805