"明日になればね" by Takaishi Tomoya & The Natasha Seven was released on June 7, 1989. The duration of 明日になればね is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 明日になればね's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in BIG ARTIST Best COLLECTION 高石ともやとザ・ナターシャーセブン by Takaishi Tomoya & The Natasha Seven. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 明日になればね's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 明日になればね by Takaishi Tomoya & The Natasha Seven is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
狙撃者 | Shinji Tanimura | E Minor | 0 | 9A | 166 BPM | ||
男はつらいよ | 山本直純, 渥美清, 星野哲郎 | D Major | 1 | 10B | 76 BPM | ||
白馬村から | Kosetsu Minami | G Major | 2 | 9B | 81 BPM | ||
モナリザの微笑 | ザ・タイガース | B Minor | 3 | 10A | 109 BPM | ||
遥かなる人 | Kaientai | B Major | 4 | 1B | 137 BPM | ||
友よ | Nobuyasu Okabayashi | E♭ Major | 0 | 5B | 148 BPM | ||
Tokyo Waltz | Chiemi Eri | E♭ Minor | 3 | 2A | 94 BPM | ||
木戸をあけてー家出をする少年がその母親に捧げる歌ー | Kei Ogura | E Minor | 1 | 9A | 83 BPM | ||
忘れられた梅の木 | George Tokoro | C Major | 8 | 8B | 110 BPM | ||
69 | Wataru Takada | G Minor | 5 | 6A | 150 BPM |
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