Thomas Hewitt Jones, Emma Penrose's 'Song Without Words' came out on April 16, 2020. The duration of Song Without Words is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Song Without Words's duration is considered a little bit shorter than the average duration of a typical track. Since Song Without Words only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Song Without Words's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Song Without Words by Thomas Hewitt Jones, Emma Penrose having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flying, Floating, Falling | David Ross Lawn | F Major | 1 | 7B | 127 BPM | ||
Adagio For Strings And Storm | Nico Cartosio | E Minor | 1 | 9A | 69 BPM | ||
Nocturnal Mind in d Minor - Piano Septet Version | Yiruma | D Minor | 2 | 7A | 98 BPM | ||
To the Moon and Beyond | Gavin Luke | A Major | 0 | 11B | 103 BPM | ||
Concerto Magna Carta: II. Tenderly, with expression | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
The Pier (from "Never Let Me Go", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | E Minor | 1 | 9A | 84 BPM | ||
The Tree Who Grew on Water | Yoav Ilan | C Minor | 2 | 5A | 40 BPM | ||
Prelude in E Minor, Op. 28, No.4 | Tegelhof Kammerorchester | D Minor | 2 | 7A | 107 BPM | ||
Good Night, Day | Jóhann Jóhannsson, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | A Minor | 2 | 8A | 98 BPM | ||
Pure Imagination (arr. piano) | Sophie Hutchings | E♭ Major | 1 | 5B | 58 BPM |
Section: 0.49532079696655273
End: 0.5011448860168457