Giovanni Battista Viotti, Fritz Kreisler, The Bell Telephone Hour Orchestra, Donald Voorhees made "Violin Concerto No. 22 in A Minor, G. 97 (Arr. F. Kreisler): I. Moderato [Live] [Remastered 2022]" available on October 14, 2022. Violin Concerto No. 22 in A Minor, G. 97 (Arr. F. Kreisler): I. Moderato [Live] [Remastered 2022] appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "The Bell Telephone Hour Recordings, Vol. 1: Concertos by Mozart, Viotti, Mendelssohn, Bruch & Brahms (Live) [Remastered 2022]". In this album, this song's track order is #3. In terms of popularity, Violin Concerto No. 22 in A Minor, G. 97 (Arr. F. Kreisler): I. Moderato [Live] [Remastered 2022] is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto No. 22 in A Minor, G. 97 (Arr. F. Kreisler): I. Moderato [Live] [Remastered 2022] by Giovanni Battista Viotti, Fritz Kreisler, The Bell Telephone Hour Orchestra, Donald Voorhees having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 German Dances with 7 Trios and Coda, D. 89: No. 2, German Dance in G Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Variations on a Russian Folk Song - for String Quartet: Variation 10. Finale, Allegro: Sokolov | Nikolai Rimsky-Korsakov, Alexander Scriabin, Kuss Quartet | D Major | 1 | 10B | 133 BPM | ||
Violin Concerto No. 20 in D Major, G. 92: II. Adagio | Giovanni Battista Viotti, Franco Mezzena, Symphonia Perusina | E Major | 1 | 12B | 71 BPM | ||
Alt-Wiener Tanz C | Franz Xaver Gruber, Willi Boskovsky, The Boskovsky Ensemble | F♯ Major | 0 | 2B | 93 BPM | ||
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | E Major | 2 | 12B | 133 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Overture in E-Flat Major, Op. 1, No. 4: III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 141 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | G Minor | 0 | 6A | 111 BPM | ||
交響曲 第35番 「ハフナー」 K.385~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | D Major | 2 | 10B | 130 BPM |
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