Johann Sebastian Bach, Daniil Trifonov made "The Art Of Fugue, BWV 1080: Contrapunctus 2" available on February 11, 2022. The duration of The Art Of Fugue, BWV 1080: Contrapunctus 2 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Art Of Fugue, BWV 1080: Contrapunctus 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 58 in BACH: The Art of Life (Encore Edition) by Daniil Trifonov, Johann Christoph Friedrich Bach, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, The Art Of Fugue, BWV 1080: Contrapunctus 2's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Art Of Fugue, BWV 1080: Contrapunctus 2 by Johann Sebastian Bach, Daniil Trifonov is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
8 Piano Pieces, Op. 76: 3. Intermezzo in A flat | Johannes Brahms, Dinorah Varsi | A♭ Major | 0 | 4B | 123 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 5 | 6A | 107 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Lobe den Herren, den machtigen Konig der Ehren (Chorus) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 62 BPM |
Section: 0.5421309471130371
End: 0.5458447933197021