Nicola Porpora, Mary-Ellen Nesi, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 2: "Empi, se mai disciolgo"" available on November 3, 2017. The duration of Germanico in Germania / Act 2: "Empi, se mai disciolgo" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Germanico in Germania / Act 2: "Empi, se mai disciolgo"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Germanico in Germania / Act 2: "Empi, se mai disciolgo"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Germanico in Germania / Act 2: "Empi, se mai disciolgo" by Nicola Porpora, Mary-Ellen Nesi, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mio ben" (Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | D Minor | 1 | 7A | 119 BPM | ||
Salve Regina, S. 308: No. 1, Salve Regina | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | F Minor | 2 | 4A | 75 BPM | ||
La fida ninfa, RV 714, Act II, Scene 3: Recitativo (Narete, Oralto) | Antonio Vivaldi, Jean-Christophe Spinosi, Lorenzo Regazzo, Ensemble Matheus, Topi Lehtipuu | E Minor | 1 | 9A | 69 BPM | ||
Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnes Mellon | E♭ Major | 3 | 5B | 101 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann | F♯ Minor | 3 | 11A | 120 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Il verbo in carne, oratorio per la nascita di Gesù: Distillatevi o cieli | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | F♯ Major | 2 | 2B | 167 BPM |
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