"シャンソン・メドレー バラ色の人生〜オー・シャンゼリゼ〜愛の讃歌" by Marguerite Monnot, Louiguy, Willshaw, Chisako Takashima, 加羽沢美濃 was released on January 23, 2008. シャンソン・メドレー バラ色の人生〜オー・シャンゼリゼ〜愛の讃歌 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 9 out of 12 in ANNIVERSARY〜 CHISA & MINO 3 by Chisako Takashima, 加羽沢美濃. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. シャンソン・メドレー バラ色の人生〜オー・シャンゼリゼ〜愛の讃歌 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of シャンソン・メドレー バラ色の人生〜オー・シャンゼリゼ〜愛の讃歌 by Marguerite Monnot, Louiguy, Willshaw, Chisako Takashima, 加羽沢美濃 is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodgers / Transc. Walter: Babes in Arms: My Funny Valentine (Transc. Walter for Orchestra) | Richard Rodgers, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille | C Minor | 0 | 5A | 140 BPM | ||
Piano Sonata No. 9 in F Minor: I. Andante spiritoso | Baldassare Galuppi, Víkingur Ólafsson | F Minor | 0 | 4A | 73 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Pierre Génisson, Jakob Lehmann, Concerto Köln | F Major | 1 | 7B | 126 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
Milord | Marguerite Monnot, Orchestre Jean Faustin, Jean Faustin, Maurice André | A♭ Major | 5 | 4B | 204 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | ||
Les berceaux, Op. 23 No. 1 | Gabriel Fauré, Christian-Pierre La Marca | C Minor | 0 | 5A | 65 BPM | ||
Youkali | Kurt Weill, Romain Leleu, Ensemble Convergences | D Minor | 1 | 7A | 81 BPM |
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