"Romance de los pinos" by Federico Moreno Torroba, Andrés Segovia was released on January 1, 2002. With Romance de los pinos being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 41 in Andrés Segovia - The Art of Segovia by Andrés Segovia, Albert Roussel, Alexander Scriabin, Carlos Pedrell, César Franck, Claude Debussy, Domenico Scarlatti, Edvard Grieg, Federico Moreno Torroba, Felix Mendelssohn, Fernando Sor, Francisco Tárrega, Frédéric Chopin, George Frideric Handel, Girolamo Frescobaldi, Heitor Villa-Lobos, Isaac Albéniz, Jean-Philippe Rameau, Joaquín Rodrigo, Joaquín Turina, Johann Sebastian Bach, John Dowland, Manuel de Falla, Manuel Ponce, Mario Castelnuovo-Tedesco, Modest Mussorgsky, Niccolò Paganini, Traditional. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Romance de los pinos is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Romance de los pinos by Federico Moreno Torroba, Andrés Segovia is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dance No. 1 (Transcr. Hall) | Manuel de Falla, Nicola Hall | A Major | 2 | 11B | 88 BPM | ||
Guitar Sonata No. 30 in A Major: Minuet - Allegro | Niccolò Paganini, Marco Tamayo | C Major | 1 | 8B | 140 BPM | ||
2 Arabesques (arr. for guitar and orchestra): Arabesque No. 1 | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 91 BPM | ||
36 Caprices, Op. 20: IX. Largo | Luigi Legnani, Pavel Steidl | E Minor | 1 | 9A | 78 BPM | ||
La Frontera de Dios: II. Meditacion | Regino Sáinz de la Maza, Franz Halász | E Minor | 1 | 9A | 117 BPM | ||
Serie Americana: Preludio | Hector Ayala, Victor Villadangos | E Minor | 0 | 9A | 96 BPM | ||
36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
Danza Española, Op.37, No.5 - "Andaluza" | Enrique Granados, Pepe Romero, Celin Romero | E Minor | 0 | 9A | 129 BPM | ||
Danza Mora - Minuetto in E Major: Danza mora | Francisco Tárrega, Ana Vidovic | B Major | 1 | 1B | 113 BPM | ||
Luisa Fernanda: ¡Cuánto tiempo sin verte, Luisa Fernanda! - Remastered | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, María de los Ángeles Morales, Carlos Munguia, Manuel Ausensi, Coro General, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica | A Major | 3 | 11B | 93 BPM |
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