"The Sleeping Beauty, Op. 66 : Scene - Les quatre princes (The Four Princes)" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. With The Sleeping Beauty, Op. 66 : Scene - Les quatre princes (The Four Princes) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Sleeping Beauty, Op. 66 : Scene - Les quatre princes (The Four Princes)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Scene - Les quatre princes (The Four Princes) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Also Sprach Zarathustra Op.30: Von der grossen Sehnsucht (Of the Great Longing) | Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt | G Major | 0 | 9B | 136 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Cinderella, Op. 87: 16. Winter Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | C Major | 1 | 8B | 118 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Feuilleton, Op.193 'Features section' | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | C Major | 1 | 8B | 104 BPM | ||
Polovetsian Dances from Prince Igor: Allegro vivo | Alexander Borodin, George Szell, Cleveland Orchestra | F Major | 3 | 7B | 81 BPM | ||
The Sleeping Beauty, Op. 66 : Pas De Quatre - Adagio | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | G Major | 0 | 9B | 84 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | D Major | 1 | 10B | 49 BPM |
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