"Bass Trombone Concerto: III. Allegro poco agitato" by Kenneth Fuchs, James Buckle, Sinfonia Of London, John Wilson had its release date on June 14, 2024. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Bass Trombone Concerto: III. Allegro poco agitato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 21 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Bass Trombone Concerto: III. Allegro poco agitato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bass Trombone Concerto: III. Allegro poco agitato by Kenneth Fuchs, James Buckle, Sinfonia Of London, John Wilson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
The Rite of Spring, K015, Pt. 1 "The Adoration of the Earth": I. Introduction - Live | Igor Stravinsky, London Symphony Orchestra, Pierre Monteux | D Minor | 3 | 7A | 77 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 7, Tempo I. Molto adagio | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Mythologies: VI. Bacchus | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | B♭ Major | 1 | 6B | 61 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM |