Attributed to James Lucas, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop's 'Come, Let Us Anew' came out on March 9, 2004. With this song being about 5 minutes long, at 5:15, "Come, Let Us Anew" by Attributed to James Lucas, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Peace Like a River". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Come, Let Us Anew's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come, Let Us Anew by Attributed to James Lucas, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Were You There When They Crucified My Lord? | Millennial Choirs & Orchestras, Brandon Stewart, Brett Stewart | E Major | 0 | 12B | 83 BPM | ||
Jesus, the Very Thought of Thee | Voice Male | C Major | 1 | 8B | 82 BPM | ||
Create in Me a Clean Heart | The Concordia Choir | E Major | 0 | 12B | 84 BPM | ||
Soul of My Savior | Benedictines of Mary, Queen of Apostles, Queen of Apostles | E Major | 0 | 12B | 82 BPM | ||
Redeemed How I Love to Proclaim It | Elevation | A Major | 2 | 11B | 111 BPM | ||
Eat This Bread | The London Fox Taize Choir | G Major | 2 | 9B | 81 BPM | ||
Take up Your Cross | Charles W. Everest, Johann Sebastian Bach | E Minor | 2 | 9A | 80 BPM | ||
This Is He | Rob Gardner, London Symphony Orchestra, Spire Chorus | E Major | 1 | 12B | 80 BPM | ||
Abide with Me; 'Tis Eventide | BYU Noteworthy | A♭ Major | 2 | 4B | 78 BPM | ||
The Restoration: A Lamb to the Slaughter | Merrill Bradshaw, Craig Jessop, BYU Philharmonic Orchestra, John R. Halliday | E♭ Major | 0 | 5B | 84 BPM |
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